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Soon they heard another person shouting out the feast call, and, going, they entered the lodge of the chief of the Kit-Foxes (Sĭn´-o-pah). Here, too, old men had gathered. After they had eaten of the food set before them, the chief said, "Those among whom you have just come are generous. They do not look carefully at the things they have, but give to the stranger and pity the poor. The kit-fox is a little animal, but what one is smarter? None. His hair is like the dead grass of the prairie; his eyes are keen; his feet make no noise when he walks; his brain is cunning. His ears receive the far-off sound. Here is our medicine. Take it." He gave the man the stick. It was long, crooked at one end, wound with fur, and tied here and there with eagle feathers. At the end was a kit-fox skin. Again the chief spoke and said, "Listen to our song. Do not forget it, and the dance, too, you must remember. When you reach home teach them to the people." He sang and danced. Then presently his guests departed.,

"You can see it now if you wish," says Mona, quickly, the thought that she may be able to entertain him in some fashion that will not require conversation is dear to her. She therefore takes his arm, and leads him out of the ballroom, and across the halls into the library, which is brilliantly lighted, but just at this moment empty.,

For many days he went on. He crossed great prairies and followed up timbered rivers, and crossed the mountains. Every day his sack of food grew lighter, but as he went along he looked for berries and roots, and sometimes he killed an animal. These things gave him food.,

"I don't understand you," says Geoffrey, still rather hotly.

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"Answer me," persists Mona, not heeding—nay, scarcely hearing—his last speech. "You said once it would be difficult to lie to me. Do you know anything of this missing will?",

At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.,

Again he went into the lodge, and when the man-eater saw him he cried out, "How, how, how! the fat young man has survived!" and he seemed surprised. Again he took his knife and cut the throat of Kŭt-o-yĭs´ and threw him into the kettle. Again when the meat was cooked he ate it, and when the little girl asked for the bones again he gave them to her. She took them out and threw them to the dogs, crying, "Kŭt-o-yĭs´, the dogs are eating you," and again Kŭt-o-yĭs´ arose from the bones.,

Paul Rodney, true to his word, has put in an appearance, much to the amazement of many in the room. Almost as Mona's dance with Nolly is at an end, he makes his way to her, and asks her to give him the next. Unfortunately, she is not engaged for it, and, being unversed in polite evasions, she says yes, quietly, and is soon floating round the room with him.